Leah and I hang out at home.
Friday, February 27, 2009
Friday, February 20, 2009
Blue Dress
"I like to chew gum. I like space. I like my space. This is my basement. I live upstairs. Do you like my blue dress? I bought this dress after I graduated. It's from Anthropologie. Did I mention I like to jump? When I make shapes with the space I smile. Sometimes you just have to shake it off. There is time for it all. Time to jump and time to reflect."
“Use it all. And Be Open.” This is what he told me. If you forget then you forget. If you remember then that's really something. It's simple. Right? Yes, yes it is."
“Use it all. And Be Open.” This is what he told me. If you forget then you forget. If you remember then that's really something. It's simple. Right? Yes, yes it is."
Monday, February 16, 2009
Love
Love.As ETG prepares to put on their second short form piece revolving around the theme of “love,” I can’t help but consider the other great artists that have attempted to capture that elusive theme.
Love? What is it?
Language. For William Shakespeare it involved two young lovers foolishly killing themselves. For David Mamet it was just another dirty word. And for Noel Coward it was two adults arguing over martinis. Regardless, in the minds of these playwrights love always involved unhappiness, both physical and emotional. Literary fiction does not fair much better, with greats such as Margaret Mitchell’s Gone With The Wind, Leo Tolstoy’s Anna Karenina or Boris Pasternak’s Doctor Zhivago always leaving lovers separated and unhappy.
Music. Fiona Apple, Patsy Cline, Eliot Smith, Conor Oberst… all talented musicians who rarely choose to sing about puppies or world peace, but rather heartbreak. Yet love isn’t only pain. After all, there’s that glorious crush phase, where you walk by your love’s locker ten times a day in the hope of running into them. Then there is the puppy-love phase, where you and your newfound paramour want to be around one another 24/7 and hold hands until you give one another hives. Certainly, some artists choose to create based on those experiences, yet those creative ventures are outnumbered far more by pieces surrounding the negative aspects of romance and affection. If you can name me a happy opera involving love I can name you ten other tragic ones.
What is it about romantic unhappiness that makes such fantastic art? And what do we do about it? Do we spurn all future romantic endeavors and live alone? Or do we go out again and again and embrace the possibly dashed hopes and future unhappiness, only to use those emotions in our next creative endeavor?
I don’t have any answers. I just have these rambles. And one hell of a great heartbreak music mix.
Thursday, January 29, 2009
A Pale Horse, Death & Hell Followed With (A Lifetime Original Series) VOL 1: OFFICE
This past Saturday, January 24th, we performed VOLUME 1 of our short form series presented as part of The Ontological Hysteric Theater's Incubator Program at St. Marks Church. Short Form (curated by Peter Ksander and Brendan Regimbal) is an interdisciplinary forum that gives artists from a variety of backgrounds the opportunity to test the boundaries of compositional performance and refine their own unique form and style by creating a small repertoire of four ten-minute performances that are thematically connected, but independent pieces of art. We will be presenting three more short works over the course of the next five months (along with three other great groups) with a longer culmination in June. We're gracious to have this time to experiment and look forward to our second short form piece, VOLUME 2: LOVE.
Rehearsal photos below and thank you for all those who were involved!
A Pale Horse, Death & Hell Followed with ( A lifetime original Series) VOLUME 1 OFFICE
Written and Directed by Leah Winkler and Teddy Nicholas
Production Assistant: Emily Baines
Costume Design by Katie Hannigan
Lighting Design by Oliver Brooks
Choreography by Mary Mailhot
Music and Sound by Melancholy Elephants
Design: Davison Robie and Nickolas Hartgrove
Musicians: J. Cody Arnholdt, trombone; Brian Grimm, cello; Allie Summers, violin
Adapted from "Rock and Roll Suicide" by David Bowie
Featuring: Ray Campbell, Katie Hannigan, Sean Kenealy, Mary Mailhot, Ike Ufomadu, Chase Voorhees and Abby Page
Thursday, November 27, 2008
Sunday, November 16, 2008
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